Une Traduction Pleine De Fautes

[tibo44]

Bonjour, à celui ou celle qui va pouvoir m'aider.

Voila, j'ai fais un texte en français que j'ai eu besoin de traduire, mais je ne suis pas sûre de ma traduction. Alors merci de m'aider à la corriger avant le mercredi 21 Avril...

voici le texte français de base:

Trois Prisonnier enchaînés s'évadent d'un bagne situé dans le Sud profond des années 30. Ces trois personnages sont : Ulysse Everett McGill, Delmar et Pete. Le premier : héros du film, le deuxième très simple et le dernier grand râleur. Ils fuient pour retrouver un «sois-disant » trésor appartenant à Everett. Ainsi ils partent dans un grand voyage, rencontrant de multiples personnages et fuyant un mystérieux Shériff.Leur épopée dans un contexte de grande crise se finie en retrouvant leur foyer.

Le résumé etant fait, on peut passer à un essai de commentaire. Ce commentaire sera en trois parties : La Vision de l'Amérique et les images du Sud, puis la dimension mythologique du film et enfin « le meilleur » mon opinion.

D'abord La Vision de L'Amérique dans un contexte particulier. En effet le film correspond aux années 30, dans un contexte de crise (rapellons la crise de 1929 et son crac boursier) et de grande dépression. Géographiquement, l'action se situe dans le Sud des États-Unis, le « Deep South ». Cette impression de Sud est donnée par plusieurs élements : le fanatisme religieux, la force des superstitions, le racisme, les lieux, la musique, et, la crise économique et politique.

Ainsi pendant tout le film le thème de la religion et des superstitions est très présent. En effet Delmar va se faire baptiser dans le Mississipi pour être persuadé d'être lavé de toutes ses fautes ; il y a aussi l'auto-stoppeur, Tommy Johnson, qui assure avoir vendue son âme au diable pour savoir jouer de la guitare ; et enfin l'accomplissement à la fin de la prophétie du début du film... A l'inverse Everett qui blasphème tout le temps et ne veut pas croire que son ami soit transformé en grenouille.

Le rascisme tiend aussi une part importante, car le vieux Sud est connu pour son côté raciste. Pour exemple, nos trois évadés rencontrent une célébration du Klu-Klux-Klan voulant sacrifier leur guitariste.

Les lieux rendent le contexte du Sud encore plus vrai. Tous reflètent l'époque, mais prenons trois exemples : La ferme du cousin et les chemins qui l'y conduisent ; la radio premier et seul média développé ; et enfin les villages avec leurs immenses rues très large et animées.

Tout le film est accompagné d'une musique caractéristique du vieux Sud : le Blues. Des chansons sont véhiculées par la radio ressemblante au country appelé le « bluegrass ». Elles sont caractéristique du folklore du Sud. Les trois évadés créer ainsi le groupe des « culs trempés » et ont un grand succès qui résoud toutes les intrigues du film à la fin.

Pour finir, l'aspect historique des années trentes montre un Sud en pleine crise et dépression. D'un point de vue économique avec la grande pauvreté est montré, par exemple, par la ferme du cousin au début. Quand les trois compères y sont, l'hôte n'a plus que de la viande invariée à manger. Après pour gagner un peu d'argent il va dénoncer son cousin en cavale! La dépression de ces années s'accompagne de références politiques. Ainsi on suit la campagne électorale entre l'ancien gouverneur Papy O'Daniell et le reformiste : Homer Stokes qui veut balayer le pays (mais qui est aussi le chef du KKK). Cette intrigue secondaire apporte au film une autenticité.

D'un point de vue technique, les images ont été jaunies pour donner un aspect de vieux à ce film.

Ensuite voyons la dimension mythologique de ce film. Les réalisateur ne s'en cache pas et le disent dès le début, ce film est une adaptation, très libre, de l'Odyssée d'Homère. En effet cet aspect légendaire se retrouve dans le nom des personnages et leur rôle dans l'histoire. Ainsi on retrouve Everett, qui de son premier prénom s'apelle Ulysse. Il devient ainsi le héros de l'histoire très attaché à sa présentation, rusé et débrouillard comme dans la tradition. Il part à la recherche de sa bien-aimée Penny (Pénélope dans l'Odyssée) et retrouve aussi ses sept filles (étrange, on retrouve le nombre sept!). Durant son aventure, proche d'une Odyssée, Ulysse rencontre le viel Homme noir qui lui dit son futur, mais il ne le croît pas...une coincidence? Non, on retrouve bien Cassandra! Plus tards les trois évadés sont attirées par des sirènes! Puis ils se trouve en face d'un baorgne qui vend des Bibles...on reconnaîtra le Cyclope! Encore une autre allusion : le diable. Il est incarné par le shériff qui pourchasse nos trois évadés. On le reconnaît grâce au feu refleté dans ses lunettes, et grâce à ses paroles quand il dit être au dessus des lois. Le nom d'Homère est aussi rataché à quelqu'un : le candidat réformiste : Homer Stokes.

Toutes ces allusions à l'antiquité, et ce rattachement à un mythe, donnent un aspect mystérieux voire fantastique au film.

Enfin voici mon opinion sur ce film.

Les frères Cohen ont fait un film que je qualifierai de sympathique.

Sympathique car il sort de l'ordinaire, car il n'a pas la prétention de changer la face du monde ou de faire réfléchir sur des problèmes existenciels, car enfin il a su me divertir! En effet du début à la fin l'histoire on reste accroché au devenir des trois fuyards. Allant de péripéties en péripéties ce film présente un grand éventaille de qualités.

Première qualité, c'est un film intelligent. Intelligent dans le sens où il mêle mythologie, réalité (avec référence à des personnages qui ont réellement existés) avec burlesque. Ils ont su échapper au film noir, au film social, au film fantastic, au film de bagne...pour faire un mélange de tout pour obtenir un grand film! De plus l'humour est au rendez-vous, apportant la bonne humeur! Original dans leur histoire personnelle, les personnage sont rapidemment attachants, et ceci est emplifié par le formidable jeu des acteurs! Le plaisir monte tout au long de l'avancée des intrigues. Enfin je donnerai une mention spéciale aux « Culs trempés » qui finissent par tout résoudre en cjhantant...si c'était toujours aussi simple!!

et voici la traduction que j'ai tentée :

Three Prisoner chained escape from a penal colony situated in the deep South of the 30s. These three characters are: Ulysses Everett McGill, Delmar and Pete. The first one: hero of the film, the second very simple and the last big grouser. They run away to find one " be saying " treasure belonging to Everett. So they leave in a last great journey, meeting multiple characters and avoiding(fleeing) a mysterious Shériff. Their epic in a context of big crisis finished by finding their home(foyer).

The summary etant was made, we can pass in an essay(attempt,try) of comment. This comment will be in three parts(parties): the Vision of America and the images of the South, then the mythological dimension of the film and finally " the best " my opinion.

At first The Vision of America in a particular context. Indeed the film corresponds to the 30s, in a context of crisis (rapellons the crisis of 1929 and its stock-exchange crac) and of big depression. Geographically, the action(share) is situated in the South of the United States, the "Deep South". This impression(printing) of the South is given by several élements: the religious fanaticism, the force of the superstitions, the racism, the places, the music, and, the economic and political crisis.

So during all the film the subject of the religion and the superstitions is very present. Indeed Delmar is going be baptized in Mississipi to be persuaded to be washed all its faults; there is also a hitch-hiker, Tommy Johnson, who assures(insures) to have sold his soul to the devil to know how to play the guitar; and finally the fulfillment at the end of the prediction of the beginning of the film... On the contrary Everett who blasphemes all the time and does not want to believe that his friend is transformed into frog.

The rascisme tiend also an important part, because the old South is known for its racist side. For example, our three escapees meet a celebration of Klu-Klux-Klan which wants to sacrifice their guitarist.

Places return the context of the even more true South. All reflect the time(period), but let us take three examples: the farm of the cousin and the roads which lead(drive) him(it) there; the radio first and only developed media; and finally villages with their immense streets very wide and animated(stimulated).

All the film is accompanied with a characteristic music of the old South: the Blues. Songs are conveyed by the resembling radio in the country called the "bluegrass". They are characteristic of the folklore of the South. Three escapees to create so the group of the " tempered bottoms " and have a big success which résoud all the intrigues of the film at the end.

To finish, the historic aspect of the thirties shows the South in the middle of a crisis and depression. From an economic point of view with the big poverty is shown, for example, by the farm of the cousin at the beginning. When three accomplices are there, the host does not have more than some invariée meat to be eaten. Later to gain(win) a little money(silver) he is going to denounce(cancel) his cousin in escape(mare)! The depression of these years comes along with political references. So we follow the election campaign between the former(ancient) governor Grandpa O' Daniell and the reformiste: Homer Stokes who wants to sweep(annihilate) the country (but who is also the leader of the KKK). This secondary intrigue brings to the film an autenticité.

From a technical point of view, the images were turned yellow to give old man's aspect to this film.

Then let us see the mythological dimension of this film. Director does not hide from it and say it from the beginning, this film is an adaptation, very free, of Homère's Odyssey. Indeed this legendary aspect meets itself in the name of the characters and their role in the history(story). So we find Everett, who of his(her) first first name apelle Ulysses. He so becomes the hero of the history(story) very attached to his presentation, cunning and cunning as in the tradition. He searches for his beloved Penny (Pénélope in the Odyssey) and also finds his seven daughters (strange, we find the number seven!). So we find Everett, who of his(her) first first name apelle Ulysses. He so becomes the hero of the history(story) very attached to his presentation, cunning and cunning as in the tradition. He searches for his beloved Penny (Pénélope in the Odyssey) and also finds his seven daughters (strange, we find the number seven!). We recognize him(it) thanks to the fire(light) refleté in the glasses, and thanks to the words when he tells to be above the laws. Homère's name is also rataché to somebody: the reformist candidate: Homer Stokes.

All these allusions to the antiquity(antique), and this fastening with a myth, give a look of mystery even fantastic in the film.

Finally here is my opinion on this film.

The brother Cohen made a film which I shall consider as nice. Nice because he(it) goes out of the common, because he(it) does not claim to be able to change the face of the world or to make think about existenciels problems, because finally he(it) knew how to amuse me! Indeed of the beginning at the end the history(story) we remain hung on(collided) on the future of three fugitives. Going of events to events this film presents a big éventaille of qualities.

First quality, it is an intelligent film. Intelligent in the sense(direction) where he(it) mixes(involves) mythology, reality (with reference to characters who really existed) with comic. They knew how to escape the macabre film, the social film, the fantastic film, the film of penal colony to make a mixture of everything to obtain a big film! Of more the humor is for the meeting, bringing the cheerfulness! Original in the personal history(story), character are rapidemment charming, and this is emplifié by the tremendous game(set,play) of the actors! The pleasure rises throughout the headway(overhang) of the intrigues. Finally I shall give a special mention to the " tempered Bottoms " which eventually resolve everything there cjhantant if it was always so simple!!

Merci de bien vouloir m'aider, vous seriez très aimable...merci d'avance!

[cancan16]

Il y a aussi des fautes mais tu faire quelque chose.

Des mots sont restés en francais parce que je ne savais pas ou sont incohérents.

Three Prisoner connected escape from a bagne located in the major South of the Thirties. These three characters are: Ulysses Everett McGill, Delmar and Pete. The first: hero of film, the very simple second and the last large grouser. They flee to find one "be-saying" treasure pertaining to Everett. Thus they leave in a great voyage, meeting multiple characters and fleeing mysterious Shériff.Leur epopee in a context of great crisis finished by finding their hearth.

The made etant summary, one can pass to a test of comment. This comment will be in three parts: Vision of America and images of the South, then the mythological dimension of film and finally "best" the my opinion.

Initially Vision of America in a particular context. Indeed the film corresponds to the Thirties, in a context of crisis (rapellons the crisis of 1929 and its crac stock exchange) and of great depression. Geographically, the action is in the South of the United States, "Deep South". This impression of South east given by several élements: religious fanaticism, the force of the superstitions, racism, places, music, and, the economic and political crisis.

Thus during all film the topic of the religion and the superstitions is very present. Indeed Delmar will be made baptize in the Mississippi to be persuaded to be washed of all its faults; there is also the hitch-hiker, Tommy Johnson, which ensures to have sold its heart with the devil to know to play of the guitar; and finally the achievement at the end of the prophecy of the beginning of film... Everett conversely which blasphemy all the time and does not want to believe that his/her friend is transformed into frog.

The rascism tiend also a significant part, because the old South is known for its racist side. For example, our three escaped prisoners meet a celebration of Klu-Klux-Klan wanting to sacrifice their guitarist.

The places return the context of the South even truer. All reflect the time, but take three examples: The farm of the cousin and the ways which lead it to it; the radio operator first and only developed media; and finally villages with their immense streets very broad and animated.

All the film is accompanied by a music characteristic of the old South: Blues. Songs are conveyed by the radio resembling the country called the "bluegrass". They are characteristic of the folklore of the South. The three escaped prisoners to thus create the group of the "soaked bottoms" and have a great success which résoud all intrigues of film at the end.

To finish, the historical aspect of the years trentes shows a South in full crisis and depression. From an economic point of view with great poverty is shown, for example, by the farm of the cousin at the beginning. When the three accomplices are there, the host does not have any more but of the meat invariée to eat. Afterwards to gain a little money it will denounce his cousin in mare! The depression of these years is accompanied by political references. Thus one follows the election campaign between the former governor Papy O' Daniell and the reformist: Homer Stokes which wants to sweep the country (but which is also the chief of the KKK). This secondary intrigue brings to film a autenticity.

From a technical point of view, the images were yellowed to give an aspect of old man to this film.

Then let us see the mythological dimension of this film. The realizer does not hide any and say it from the very start, this film is an adaptation, very free, Odyssey of Homère. Indeed this legendary aspect is found in the name of the characters and their role in the history. Thus one finds Everett, which of its first first name apelle Ulysses. He becomes thus the hero of the history very attached to his presentation, crafty one and débrouillard as in the tradition. He leaves to research his beloved Penny (Pénélope in the Odyssey) and finds also his seven daughters (strange, one finds the number seven!). During does its adventure, near to an Odyssey, Ulysses meet the viel black Homme which tells him its future, but it does not grow to it... a coincidence? Not, one finds Cassandra well! More tards the three escaped prisoners are attracted by sirens! Then they is opposite a baorgne which sells Bibles... one will recognize the Cyclops! Still another allusion: devil. It is incarnated by the shériff which pursues our three escaped prisoners. One recognizes it thanks to the fire refleté in his glasses, and thanks to his words when he says being to the top of the laws. The name of Homère is also rataché with somebody: the candidate reformist: Homer Stokes.

All these allusions to antiquity, and this fastening with a myth, give an even fantastic mysterious aspect to film.

Finally here my opinion on this film.

The Cohen brothers made a film which I will describe as sympathetic nerve.

Sympathetic nerve because it leaves the ordinary one, because it does not claim to change the face of the world or to make reflect on problems existenciels, because finally it knew to divert me! Indeed beginning with the end the history one remains hung with becoming of the three runaways. Energy of adventures in adventures this film presents large a éventaille qualities.

The first quality, it is an intelligent film. Intelligent in the direction where it mixes mythology, reality (with reference to characters which really existed) with burlesque. They knew to escape from black film, social film, the film fantastic, film of bagne... to make a mixture of very to obtain a large film! Moreover humour is with go, bringing good mood! Original in their personal history, the character are rapidemment attaching, and this is emplifié by the formidable play of the actors! The pleasure goes up throughout the projection of the intrigues. Finally I will give a special mention to the "soaked Bottoms" which finish by all solving while hantant... if it were always also simple!!